Deasy wants 30% of teacher evaluations based on test scores









L.A. schools Supt. John Deasy announced Friday that as much as 30% of a teacher's evaluation will be based on student test scores, setting off more contention in the nation's second-largest school system in the weeks before a critical Board of Education election.


Leaders of the teachers union have insisted that there should be no fixed percentage or expectation for how much standardized tests should count — and that test results should serve almost entirely as just one measure to improve instruction. Deasy, in contrast, has insisted that test scores should play a significant role in a teacher's evaluation and that poor scores could contribute directly to dismissal.


In a Friday memo explaining the evaluation process, Deasy set 30% as the goal and the maximum for how much test scores and other data should count.





In an interview, he emphasized that the underlying thrust is to develop an evaluation that improves the teaching corps and that data is part of the effort.


"The public has been demanding a better evaluation system for at least a decade. And teachers have repeatedly said to me what they need is a balanced way forward to help them get better and help them be accountable," Deasy said. "We do this for students every day. Now it's time to do this for teachers."


Deasy also reiterated that test scores would not be a "primary or controlling" factor in an evaluation, in keeping with the language of an agreement reached in December between L.A. Unified and its teachers union. Classroom observations and other factors also are part of the evaluation process.


But United Teachers Los Angeles President Warren Fletcher expressed immediate concern about Deasy's move. During negotiations, he said, the superintendent had proposed allotting 30% to test scores but the union rejected the plan. Deasy then pulled the idea off the table, which allowed the two sides to come to an agreement, Fletcher said. Teachers approved the pact last month.


"To see this percentage now being floated again is unacceptable," the union said in a statement.


Fletcher described the pact as allowing flexibility for principals, in collaboration with teachers, first to set individual goals and then to look at various measures to determine student achievement and overall teacher performance.


"The superintendent doesn't get to sign binding agreements and then pretend they're not binding," Fletcher said.


When Deasy settled on 30%, his decision was in line with research findings of the Bill & Melinda Gates Foundation, which has examined teacher quality issues across the country. Some experts have challenged that work.


The test score component would include a rating for the school based on an analysis of all students' standardized test scores. Those "value-added" formulas, known within L.A. Unified as Academic Growth Over Time, can be used to rate a school or a teacher's effectiveness by comparing students' test scores with past performance. The method takes into account such factors as family income and ethnicity.


After an aggressive push by the Obama administration, individual value-added ratings for teachers have been added to reviews in many districts. They make up 40% of evaluations in Washington, D.C., 35% in Tennessee and 30% in Chicago.


But Los Angeles will use a different approach. The district will rely on raw test scores. A teacher's evaluation also may incorporate pass rates on the high school exit exam and graduation, attendance and suspension data.


Deasy's action was met Friday with reactions ranging from guarded to enthusiastic approval within a coalition of outside groups that have pushed for a new evaluation system. This coalition also has sought to counter union influence.


Elise Buik, chief executive of the United Way of Greater Los Angeles, said weighing test scores 30% "is a reasonable number that everyone can be happy with."


The union and the district were under pressure to include student test data in evaluations after L.A. County Superior Court Judge James C. Chalfant ruled last year that the system was violating state law by not using test scores in teacher performance reviews.


A lawsuit to enforce the law was brought by parents in Los Angeles, with support from the Sacramento-based EdVoice advocacy organization.


If the "actual progress" of students is taken into account under Deasy's plan, "it's a historic day for LAUSD," said Bill Lucia, the group's chief executive.


All of this is playing out against the backdrop of the upcoming March 5 election. The campaign for three school board seats has turned substantially into a contest between candidates who strongly back Deasy's policies and those more sympathetic toward the teachers union. Deasy supporters praise the superintendent for measures they say will improve the quality of teaching. The union has faulted Deasy for limiting job protections and said he has imposed unwise or unproven reforms.


In the upcoming election, the union and pro-Deasy forces are matched head to head in District 4, with several employee unions behind incumbent Steve Zimmer and a coalition of donors behind challenger Kate Anderson.


Anderson had high praise for Deasy's directive, saying it struck the right balance and that teachers and students would benefit.


Zimmer said that although he understands that principals need guidance, "I worry about anything that would cause resistance or delay in going forward. I hope this use of a percentage won't disrupt what had been a collaborative process."


howard.blume@latimes.com



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The Quirky World of Competitive Snow Carving Comes to California



The weekend at Northstar ski resort in Truckee, California, is beautiful, sunny, and in the 30s. For eight teams of snow carvers from around the world, though, it’s terrible — the melty snow is sloppy, hard to carve, and even dangerous.

Teams of three from Finland, Japan, Germany, Canada, and the U.S. were selected from more than 40 applicants for the inaugural Carve Tahoe, a five-day competition to hew works of art from 14-foot-high, 20-ton blocks of snow. But despite the bad snow, the teams rely on decades of experience, handcrafted tools, and creative techniques to fashion their massive sculptures. The team members are sculptors and artists and designers, but also doctors and lawyers. Though they spend weeks each year carving, nobody makes a living doing it.


“Everyone seems to have their own method of doing things,” says Team Wisconsin’s Mark Hargarten. “It’s amazing how different they are.”


The Wisconsin team uses a grid system for their carving — a Native American wearing an eagle costume, its feathers turning to flames, called “Dance of the Firebird.” The polyurethane model they built is scaled so 1/2 inch equals one foot on the finished snow sculpture. They cut a copy of the model in four, and covered each section with clay, sectioned in 1/2 inch increments. They etch corresponding lines in the snow, one foot to a side, and they peel off one piece of clay, carve the part of the sculpture they can see, and move on to the next.


“You never get lost using the method,” says Dan Ingebrigtson, a professional sculptor from Milwaukee. “Three or four guys can work from different angles, and meet in the middle.”


Wisconsin’s got several other strategies behind their carving as well. From the south, it looks like they haven’t even started; they left the southern side of the block intact to protect the rest of it from the sun, and the wall has been decimated by the heat. More than 20 percent of its thickness has melted by Sunday night, three days in. After the sun goes down, the team is hollowing out the interior of the structure, so it will freeze faster overnight.


Other teams are relying on nighttime freezing as well. A team partly from the U.S. and partly from Canada carves spires from blocks they removed from the sculpture, and plans to attach them to the top of their sculpture, “The Stand,” which incorporates four interwoven trees. They’ll use melty snow pulled from the middle of the block right when the sun goes down to cement the tops onto the trees, says team member Bob Fulks from the top of a stepladder as he cuts away at the sculpture with an ice chisel.


Fulks’ team is leaving Tahoe after the competition to go straight to Whitehorse, in the Yukon, for another competition, where he anticipates no problems with warm weather.


“It’s a good gig, you can travel all over the world doing it,” he says. “You go around and see the same people.”


Many of the carvers know each other from previous competitions.


“We’ve sculpted with almost everybody here before,” says Team Idaho-Dunham’s Mariah Dunham, who is working on “Sweet House (of Madness)” with her mother, Barb. The creation is a beehive, with the south side as the exterior, and the north side (intentionally placed out of the sun) as a representation of the comb, including hexagonal holds that perforate all the way to the hollow interior.


Though Carve Tahoe is new, snow carving is not. Many of the sculptors have been at it for more than 20 years, traveling around the world and meeting and competing against many of the same people — though each competition demands unique new designs from all the sculptors. Kathryn Keown discovered snow carving while Googling something completely different, and decided she wanted to host an international event.


“First we fell in love with the sculptures, then we fell in love with the sculptors,” says Keown, who founded the competition with Hub Strategy, the ad agency where she works.


Keown contacted several ski areas before Northstar, but the resort was on board right away; its owner, Vail Resorts also owns Breckenridge, where one of the biggest and most prestigious snow carving competitions is held.


But Keown wanted to commit to the design of the competition, not just the sculptures. Applicants submitted their designs last summer, and Keown enlisted Lawrence Noble, chair of the School of Fine Art at the Academy of Art University to help choose modern, complex, realist designs. She wanted no artsy, kitschy snowmen.


Then she chose a design-friendly logo and judges. In addition to Noble, the panel of judges features a sushi chef from Northstar, two interior designers, a photographer from nearby Squaw Valley, and Bryan Hyneck, vice president of design at Speck, which makes cases for mobile devices and was one of the event’s sponsors.


“The level of complexity and sophistication in this type of sculpture is just amazing,” says Hyneck, who has judged industrial and graphic design competitions, but never snow carving. “It’s amazing how organic some of the shapes can be.”


As a judge, Hyneck says he’ll focus on the craft and the execution of the sculptures, and how the sculptors use particular techniques to take advantage of the snow’s properties. But he adds that subject matter, point of view, message, and relationship to a theme are all important points as well.


“Anybody that is really going to push the limits of the capabilities of the media is going to get a lot of my attention,” he says.


For some, like the Germans, that means suspending massive structures made completely of snow. Their sculpture, titled “Four Elements”, features four large spires encircled by a tilted disc. Despite a trickle of melted snow dripping off the bottom edge, one — or even two — of the German carvers frequently stand atop the sculpture, using saws or chisels to shape the towers.


Sunday evening, after the sun has gone down and the temperature dropped, Josh Knaggs, bearded, with a cigarette in his mouth, is sitting in the curve made by the largest bear from the Team Idaho-Bonner’s Ferry sculpture, “Endangered Bears.” Wearing a blue event-issued jacket, he’s brushing out the hollow loop made by mama and papa bear.


Three days later, the judges award Knaggs and his team third prize, with Japan’s modern work, “Heart to Heart” coming in second and Germany’s gravity-defying “Four Elements” taking first. The teams disperse, and after a few more sunny days, Northstar tears down the structures before they get too soft and fall — all except the German piece, which can’t bear its own weight and collapses after judging is complete. But the ephemeral nature of the snow is part of what attracts the competitors.


“It’s for the moment, and it’s a beauty all in itself, creating something that’s gonna be disappearing, you know, it’s okay that it disappears,” says Team Truckee’s Ira Kessler. “We are making it for the moment.”


All Photos: Bryan Thayer/Speck


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Epic regrets Lil Wayne lyric about slain civil rights figure






LOS ANGELES (Reuters) – Epic Records has apologized to the family of Emmett Till, whose 1955 murder spurred the U.S. civil rights movement, over a graphic reference by rapper Lil Wayne and promised to delete the lyrics upon its release, the company said on Thursday.


Epic Chairman L.A. Reid told the family it was regretful that a remix of the song “Karate Chop” by rapper Future, in which Lil Wayne likens the beating of African-American Till to sex, had been leaked on the Internet.






“He (Reid) apologized to me and our family and stated the song is being pulled,” said a post on the Facebook page of the Mamie Till Mobley Memorial Foundation on Wednesday. Mobley, who died in 2003, was Till’s mother.


The song reportedly first appeared online over the weekend.


“Mr. Reid stated the song was leaked out and he had not heard the lyric,” the statement added. “He is a man of integrity that values our family’s legacy and wouldn’t allow such a heinous usage of Emmett Till’s name or dishonor his memory.”


The foundation, which was founded by Till’s cousin Airickca Gordon-Taylor, said that it had yet to hear from Lil Wayne.


Reid, an African American, is one of the music industry’s highest-profile executives and was a judge on the Fox singing competition “The X Factor” for two seasons.


Till, from Chicago, was beaten and murdered in 1955 at the age of 14 for allegedly whistling at a white woman in the village of Money, Mississippi, where he was visiting family.


An all-white jury acquitted two white men of Till’s murder, sparking national outrage. The trial is credited with mobilizing the civil rights movement and drawing attention to racial injustice and violence in the American South.


Epic Records called the song an “unauthorized remix” and promised to delete the reference from the official version.


“Out of respect for the legacy of Emmett Till and his family and the support of the Reverend Jesse L. Jackson, Sr. founder and president of the Rainbow PUSH Coalition, we are going through great efforts to take down the unauthorized version,” the record company said in a statement.


Epic Records is owned by Sony Music Entertainment, a division of Sony Corp.


(Reporting by Eric Kelsey; Editing by Jackie Frank)


Music News Headlines – Yahoo! News





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Livestrong Tattoos as Reminder of Personal Connections, Not Tarnished Brand





As Jax Mariash went under the tattoo needle to have “Livestrong” emblazoned on her wrist in bold black letters, she did not think about Lance Armstrong or doping allegations, but rather the 10 people affected by cancer she wanted to commemorate in ink. It was Jan. 22, 2010, exactly a year since the disease had taken the life of her stepfather. After years of wearing yellow Livestrong wristbands, she wanted something permanent.




A lifelong runner, Mariash got the tattoo to mark her 10-10-10 goal to run the Chicago Marathon on Oct. 10, 2010, and fund-raising efforts for Livestrong. Less than three years later, antidoping officials laid out their case against Armstrong — a lengthy account of his practice of doping and bullying. He did not contest the charges and was barred for life from competing in Olympic sports.


“It’s heartbreaking,” Mariash, of Wilson, Wyo., said of the antidoping officials’ report, released in October, and Armstrong’s subsequent confession to Oprah Winfrey. “When I look at the tattoo now, I just think of living strong, and it’s more connected to the cancer fight and optimal health than Lance.”


Mariash is among those dealing with the fallout from Armstrong’s descent. She is not alone in having Livestrong permanently emblazoned on her skin.


Now the tattoos are a complicated, internationally recognized symbol of both an epic crusade against cancer and a cyclist who stood defiant in the face of accusations for years but ultimately admitted to lying.


The Internet abounds with epidermal reminders of the power of the Armstrong and Livestrong brands: the iconic yellow bracelet permanently wrapped around a wrist; block letters stretching along a rib cage; a heart on a foot bearing the word Livestrong; a mural on a back depicting Armstrong with the years of his now-stripped seven Tour de France victories and the phrase “ride with pride.”


While history has provided numerous examples of ill-fated tattoos to commemorate lovers, sports teams, gang membership and bands that break up, the Livestrong image is a complex one, said Michael Atkinson, a sociologist at the University of Toronto who has studied tattoos.


“People often regret the pop culture tattoos, the mass commodified tattoos,” said Atkinson, who has a Guns N’ Roses tattoo as a marker of his younger days. “A lot of people can’t divorce the movement from Lance Armstrong, and the Livestrong movement is a social movement. It’s very real and visceral and embodied in narrative survivorship. But we’re still not at a place where we look at a tattoo on the body and say that it’s a meaningful thing to someone.”


Geoff Livingston, a 40-year-old marketing professional in Washington, D.C., said that since Armstrong’s confession to Winfrey, he has received taunts on Twitter and inquiries at the gym regarding the yellow Livestrong armband tattoo that curls around his right bicep.


“People see it and go, ‘Wow,’ ” he said, “But I’m not going to get rid of it, and I’m not going to stop wearing short sleeves because of it. It’s about my family, not Lance Armstrong.”


Livingston got the tattoo in 2010 to commemorate his brother-in-law, who was told he had cancer and embarked on a fund-raising campaign for the charity. If he could raise $5,000, he agreed to get a tattoo. Within four days, the goal was exceeded, and Livingston went to a tattoo parlor to get his seventh tattoo.


“It’s actually grown in emotional significance for me,” Livingston said of the tattoo. “It brought me closer to my sister. It was a big statement of support.”


For Eddie Bonds, co-owner of Rabbit Bicycle in Hill City, S.D., getting a Livestrong tattoo was also a reflection of the growth of the sport of cycling. His wife, Joey, operates a tattoo parlor in front of their store, and in 2006 she designed a yellow Livestrong band that wraps around his right calf, topped off with a series of small cyclists.


“He kept breaking the Livestrong bands,” Joey Bonds said. “So it made more sense to tattoo it on him.”


“It’s about the cancer, not Lance,” Eddie Bonds said.


That was also the case for Jeremy Nienhouse, a 37-year old in Denver, Colo., who used a Livestrong tattoo to commemorate his own triumph over testicular cancer.


Given the diagnosis in 2004, Nienhouse had three rounds of chemotherapy, which ended on March 15, 2005, the date he had tattooed on his left arm the day after his five-year anniversary of being cancer free in 2010. It reads: “3-15-05” and “LIVESTRONG” on the image of a yellow band.


Nienhouse said he had heard about Livestrong and Armstrong’s own battle with the cancer around the time he learned he had cancer, which alerted him to the fact that even though he was young and healthy, he, too, could have cancer.


“On a personal level,” Nienhouse said, “he sounds like kind of a jerk. But if he hadn’t been in the public eye, I don’t know if I would have been diagnosed when I had been.”


Nienhouse said he had no plans to have the tattoo removed.


As for Mariash, she said she read every page of the antidoping officials’ report. She soon donated her Livestrong shirts, shorts and running gear. She watched Armstrong’s confession to Winfrey and wondered if his apology was an effort to reduce his ban from the sport or a genuine appeal to those who showed their support to him and now wear a visible sign of it.


“People called me ‘Miss Livestrong,’ ” Mariash said. “It was part of my identity.”


She also said she did not plan to have her tattoo removed.


“I wanted to show it’s forever,” she said. “Cancer isn’t something that just goes away from people. I wanted to show this is permanent and keep people remembering the fight.”


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'Blade Runner' Oscar Pistorius weeps as he faces murder charge









JOHANNESBURG, South Africa -- Olympic sprinter Oscar Pistorius, the double-amputee revered in South Africa for overcoming his disability to compete in the London Games last year, wept in court Friday as he faced a murder charge in connection with the fatal shooting of his girlfriend.

During the proceedings in Pretoria, Gerrie Nel, one of the National Prosecuting Authority’s most senior advocates, said he would argue the killing of model and law graduate Reeva Steenkamp was premeditated murder, the most serious category of offense under South African law.


Nel is known for prosecuting high-profile cases, including winning the conviction of former police chief and Interpol boss Jackie Selebi on corruption charges.


Pistorius, nicknamed the "Blade Runner" because of the carbon-fiber prosthetic legs he uses to compete, did not enter a formal plea and was remanded into custody at Brooklyn police station in Pretoria until Tuesday, when his bail application is to be heard.








Under South African law, a suspect charged with such a high-level offense would have to prove exceptional circumstances to be granted bail.


In a packed courtroom, members of Pistorius' family struggled to pass through a media scrum and to find seats. The hearing coincided with "Black Friday," a day when people were being urged to wear black to protest rapes and violence against women.


[Updated, 8:35 a.m. Feb. 15: The family and Pistorius' management company later issued a statement denying that the athlete had murdered his girlfriend, saying: "The alleged murder is disputed in the strongest possible terms."


Some details of Pistorius' argument and the state's case are expected Tuesday.]

The famed athlete's court appearance came as South African media reported that he shot Steenkamp, his girlfriend of several months, four times through a bathroom door.


Under South African law, a person who fatally shoots an intruder has to prove he or she had a reasonable fear that the intruder posed a real threat to his or her life.

South Africa has one of the highest rates of gun homicides in the world, with killings of women by intimate partners the leading cause of female homicide in the country. About 57% of female homicide victims were killed by their partners in 2009, according to a report last year by the Medical Research Council.


One-third of female homicides were committed by partners with a history of prior violence against their partners, according to the report.

Friends of Steenkamp and Pistorius mourned the incident on social media.

"Drained, confused, I just can't wrap my head around things," one of Pistorius’ close friends, Alex Pilakoutas, posted on Twitter.


Darren Fresco, who described himself as one of Steenkamp’s best friends said he was hoping to wake from a nightmare and hear her infectious laughter again.

"We were just goofing off the other day talking to each other in only the way that we could to each other. My heart is on the verge of exploding with the pain of such a sudden loss of one of my best friends," Fresco, who said he was one of the last people to exchange tweets with Steenkamp, posted on Facebook.

ALSO:

Oscar Pistorius remains in jail facing murder charge

Mexico finds fire-god figure at top of Pyramid of the Sun

Iranian general reportedly assassinated while traveling from Syria


robyn.dixon@latimes.com





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Why Almost Everyone in Russia Has a Dash Cam



How is it possible that a dozen different motorists around the Russian city of Chelyabinsk were able to capture video of a massive meteor flying through the sky? Because almost everyone in Russia has a dash-mounted video camera in their car.


The sheer size of the country, combined with lax — and often corrupt — law enforcement, and a legal system that rarely favors first-hand accounts of traffic collisions has made dash cams all but a requirement for motorists.


“You can get into your car without your pants on, but never get into a car without a dash cam,” Aleksei Dozorov, a motorists’ rights activist in Russia told Radio Free Europe last year.



Do a search for “Russia dash cam crash” in YouTube — or even better, Yandex.ru, the county’s equivalent of Google — and you’ll find thousands of videos showing massive crashes, close calls and attempts at insurance fraud by both other drivers and pedestrians. And Russian drivers are accident prone. With 35,972 road deaths in 2007 (the latest stats available from the World Health Organization), Russia averages 25.2 traffic fatalities per 100,000 people. The U.S., by comparison, had 13.9 road deaths per 100,000 people in the same year, despite having six times more cars.


A combination of inexpensive cameras, flash memory and regulations passed by the Interior Ministry in 2009 that removed any legal hurdles for in-dash cameras has made it easy and cheap for drivers to install the equipment.


And it’s turned into an online phenomenon.


YouTube content policing means some of the most disturbing videos get pulled from U.S. video sites almost immediately, but as Marina Galperina reported at Animal New York last year, sites like the Ru CHP LiveJournal community are filled with disturbing videos of profanity-laden fist-fights, massive crashes and gruesome deaths, all captured on camera and shared for the world to see.


But then there are times like today, when dash cams catch a once-in-a-lifetime meteor falling from the sky, from every possible angle — something that couldn’t have happened just a few years ago.



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Brad Pitt, Angelina Jolie venture into winemaking






(Reuters) – Brad Pitt and Angelina Jolie have gone into the wine business, helping to produce a rose called Miraval from their French estate and putting their names on the label, wine website Decanter.com reported.


The movie star couple have been working with French winemaker Marc Perrin starting with the 2012 harvest, the website said. The Miraval wine will be on the market in March, and white wines will begin arriving by the end of this summer.






“They … want to ensure they are making the best Provence wines they can,” Perrin told Britain-based Decanter.com. on Wednesday.


“They were present at the blending sessions this year, and are relooking at everything from the installations in the winery – where we have already switched to stainless steel tanks – to reworking the labels across the range of wines,” he added.


The back label of the Miraval wine carries the names Jolie-Pitt and Perrin.


Pitt and Jolie began renting Chateau Miraval in Correns, southern France, about four years ago and later bought the property, which has about 148 acres of vines.


The Miraval wine was formerly called Pink Floyd because the British rock band recorded their 1979 album “The Wall” in a studio on the estate, Decanter.com said.


Pitt last year unveiled a high-end collection of furniture that he helped create with designer Frank Pollaro. He has also worked with architects to create affordable quality housing for victims of Hurricane Katrina in New Orleans.


(Reporting by Jill Serjeant; Editing by Xavier Briand)


Celebrity News Headlines – Yahoo! News





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Well: The Well Flu Quiz

What surface is the most friendly to the flu virus? Where’s the best place to stand when you’re talking to a sick person? And how are Australians curbing germs in schools?
To find out these answers and more, take the Well flu quiz.

With contributions from Laura Geggel and Tara Parker-Pope.

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Economix Blog: What Makes Manhattan Cost So Much?

You’ve probably heard the stat before: The cost of living is twice as high in New York as it is in the rest of the country. In the Council for Community and Economic Research’s latest cost of living report, we find out exactly what that means, and what the biggest distortions are.

The council collects price data from 307 urban areas. It found that for the first three quarters of 2012, the after-tax cost for a professional/managerial standard of living in Manhattan was 225.4 percent of that for the nation. That made Manhattan once again the most expensive place to live. In second place was Brooklyn (178.6 percent of the national average), followed by Honolulu (167 percent), San Francisco (163.4 percent) and San Jose, Calif. (153.4 percent).

By far, the biggest culprit in driving up Manhattan’s cost of living was housing. The organization’s index of housing costs is 455.2 percent of the national average. The other cost of living categories were also higher in Manhattan than in the rest of the country, by the cost differential was not nearly as great.

CategoryManhattan Price as a Percentage of National Average
Composite225.6%
Grocery149.9%
Housing455.2%
Utilities129.0%
Transportation123.5%
Health129.4%
Miscellaneous148.5%

Here is a selection of the average price data from some of the 60 specific categories they track:

ItemManhattan Average Price
National Average Price
Chunk Light Tuna$1.53$0.99
Whole Milk$2.34$2.26
Soft Drink$2.00$1.56
Apartment Rent$3,902.10$869.83
Dentist Visit$106.18$84.93
Lipitor$189.42$178.23
Pizza$10.88$8.99
Toothpaste$4.08$2.52
Dry Cleaning$13.70$11.01
Man’s Dress Shirt$40.91$26.05
Movie$13.33$9.19
Veterinary Services$99.53$45.53

As with any cost-of-living index, the comparisons are imperfect. For example, some of the items that the Council for Community and Economic Research includes in its index are much pricier in Manhattan than elsewhere, but probably don’t enter Manhattanites’ daily expenses too frequently — things like tennis balls, bowling or even gasoline.

There’s another major issue when comparing costs of living in different cities: a lot of the amenities of various cities are not captured by the prices of individual goods. Stores and restaurants are open later in New York, for example. There are probably more top-notch restaurants in Manhattan than just about anywhere else in the United States. These amenities might push other prices (like rents, or for that matter goods sold in stores that have to pay high rents) higher, so that it’s not a true apples-to-apples comparison to look at prices in Manhattan against those in Buffalo or Toledo. Economists disagree about how to adjust for these factors when calculating cost-of-living comparisons.

One new paper by Rebecca Diamond (a Harvard Ph.D. student who is one of the stars on this year’s economic job market) tries to take into account the value of these hidden higher amenities. Her research suggests that when you weigh rising amenities against rising costs in some of the highest-skilled cities in America, it actually turns out that higher-skilled people who have access to these better amenities have an even better standard of living than the standard cost-of-living adjustment would show. She also finds that welfare inequality between higher-skilled and lower-skilled workers is greater than the already-wide wage gap alone suggests.

Another recent paper (by Jessie Handbury of Wharton) also tries to take the relative tastes of rich versus poor people into account. It finds that New York is indeed an expensive place to live if you’re poor, but in a way is actually a relatively cheap place to live if you’re rich and have standard rich-person tastes (e.g., Whole Foods might be the only place in town for to buy organic free-range chicken in a place like Little Rock, Ark., whereas there’s more price competition for high-end food in New York).

One final note: The pricing figures from the Council for Community and Economic Research are different from those in the Consumer Price Index reported by the Bureau of Labor Statistics. The bureau’s monthly report reflects spending patterns for all urban consumers and for urban wage earners and clerical workers, and has data from only a couple of dozen broad metropolitan areas (as opposed to the 307 geographically narrower urban areas).

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